The day I took the short train journey to Blackburn to see the Knife Angel was actually my second attempt to go there. I’d originally set out to see it the day before, only to find there were no trains running on Sundays between here and there due to maintenance work on the line, so Plan B came into force. I’d recently found out about some new street art in Manchester’s Northern Quarter and as I hadn’t been there for a while I decided to seek out the artwork while it was still new.
A short walk from Victoria Station I came across a couple of artworks which were so new that the hydraulic platforms used while painting them were still in front of one of them. These particular gable end walls seem to be used specifically for advertising and though I wouldn’t normally photograph adverts I did like these, especially the larger of the two with its creatures and colourful foliage. Not far away was an advert for Dr Martens but the rendered surface of the wall was so rough I had to stand well back to see the detail of the picture properly.
Away from the advertising walls I roamed the NQ’s roads, side streets and back alleyways and though I’d seen quite a lot of the street art before I also found quite a lot which, although not recently new, was certainly new to me. Walls, shutters, window decorations, even a section of road – nothing escaped the camera lens.
In Stevenson Square a section of the road had been painted with a colourful Christmas tree design and only a few days previously street artist Hammo had gone to town on the walls of the old redundant public toilet block, with one side looking like a gingerbread house and the other side complete with a line of dogs with a sleigh full of presents. Unfortunately the whole block was surrounded by steel barrier fencing so I couldn’t get any unobstructed close-up shots without poking the camera lens through a couple of gaps.
Close to Stevenson Square I found a couple of fantasy murals on the windows of a game store and down a narrow side alleyway just off Newton Street I came across a mural by Liverpool-based Brazilian artist Liam Bononi. Liam is well known for the very expressive eyes and hands in his artworks and this one was instantly recognisable before I saw the signature at the bottom. My final shot as I made my way back to the station was one of Akse’s excellent murals, his most recent one and apparently a character from Squid Game, whatever that is.
My last visit to Manchester had been in August (and I still haven’t got round to sorting out the photos I took then) so I could possibly have missed a few artworks between then and now, but finding so many new ones turned what had started out as a disappointing morning into quite a successful one.