Back in early July, which seems ages ago now, the warm sunny weather and long hours of daylight prompted me to take myself off on a bit of a weekend adventure, staying overnight completely off-grid at Glasson Dock on the Lune estuary. Now I’ve stayed at a few quite basic sites over the twenty five years I’ve been camping but this wasn’t even a site, it was a lay-by at the side of a lane, though I’d previously been assured by someone ‘in the know’ that it would be okay to stay there overnight.
The lay-by was apparently quite a popular spot for people to park up and go for a walk or just sit and chill out so several cars were already there when I arrived just after 2pm, however I found a place towards the bottom end and with a brew made on the camping stove I spent some time taking in the views in front of me. Across the estuary and over to my left was Sunderland Point with its rows of old cottages facing the water and in the distance the huge bulk of Heysham power station, while in front of me was Bazil Point, an area I’d walked round in May.
Back in the early years Glasson was just a very small farming and fishing community known as Old Glasson but because of the increasing difficulty for ships navigating up the Lune to Lancaster docks the Lancaster Port Commission decided to build a new dock on a sheltered bend in the river and closer to the sea. Land at Glasson was purchased in 1780 and construction was started, with the dock finally being completed and opened in 1787, and with the need to house the many workers building it an adjacent village began to grow. The dock was a well equipped place capable of holding up to 25 merchant ships, and following its completion a small lighthouse was built on the east side; currently used for storage there seems to be very little information about it but it became Grade ll listed in March 1985.
Before the growth of the village there were originally only two buildings in the dock area itself. One was Pier Hall, owned by a Mr Salisbury and which eventually became an inn, and the other was The Old Ship House, the beached hulk of an old West Indiaman merchant sailing ship with holes for doors cut into the bulwarks and rooms built inside. The Old Ship House was an inn from around 1783 until 1790 and was the predecessor to the Victoria Inn, built around 1800 and which still stands on roughly the same site. Fast forward to today’s modern times and the Victoria closed down in 2015 due to lack of business; various plans to revamp the once attractive historic building have so far come to nothing and sadly it remains empty and derelict.
With the construction of the Lancaster Canal between 1792 and 1800 thought was given to making a connection between it and the sea, although the original plans weren’t actioned. Those plans were revived in 1819 and after additional finance was raised construction of a canal branch, later known as the Glasson Arm, was started in 1823 and opened in 1826, with a large canal basin behind the dock. Over its two-and-a-half mile length from Galgate to Glasson the branch canal dropped through 52ft, and while the main canal had been built lock-free for the whole of its 42-mile length the Glasson branch was constructed with six locks between Galgate and the Glasson Basin, with a seventh lock between the basin and the dock itself.
In 1834 a shipyard and Customs House were built at the dock, followed by a watch house in 1836 and a dry dock in 1841. The quay was connected by a branch line to the railway network in 1883, operating passenger services until 1930 then continuing with goods services until its final closure in 1964. The shipyards, which had been mainly concerned with ship repair rather than ship building, eventually closed in 1968 with the dry dock being filled in a year later. A limited amount of commercial shipping still uses the dock to this day, with outgoing shipments including coal for the Isle of Man and Scotland’s Western Isles and incoming cargoes of fertiliser and animal feeds.
Since the shipyards closed in the late 1960s the canal basin has developed over the years into a large marina for pleasure craft, currently with a wide range of boating services and mooring facilities for 220 boats, and in more recent years the trackbed of the disused railway line has become a very pleasant pedestrian path and cycleway which is part of the Lune Estuary Footpath and also one end of the 81-mile Bay Cycleway established in 2015.
Down the hill from my parking place was a small industrial area behind the dock and set back in a corner was the Port of Lancaster Smokehouse factory shop. Originally established on the quay at Lancaster around 50 years ago the family run business moved to Glasson in 2008 and still uses many of the traditional methods of preparing and curing fish, meats and cheeses of all kinds.
Passing the back of the nearby Dalton Arms pub a narrow street of terraced stone cottages took me to the road through the village, with the marina at the far side. Across the swing bridge and on the corner was the Lock Keeper’s Rest, a large former static caravan turned into a snack bar/takeaway popular with bikers, walkers and cyclists, and on a small raised cobbled area was the Bi-Centenary Anchor, placed there in May 1987 to celebrate the bi-centenary of the dock’s opening. At one time that corner was nothing much to write home about but it seems to have undergone a fairly recent transformation with a greatly extended seating area and plenty of picnic tables – overlooking the marina and with lots of greenery and colourful plants in tubs it certainly looked a lot more attractive than it once did.
Across the road was the bowling green with the start of the cycleway at the far side, which was also the start of the circular walk I’d planned to do. The level path ran between the road and the estuary for quite a distance then veered off on a raised bank across the saltmarsh before a bridge took me over the little River Conder, a tributary of the Lune, to the small hamlet of Conder Green. There was nothing really there only a dozen houses, some farm buildings and The Stork pub; my intention had been to take a photo of The Stork but the late afternoon sun was in the wrong direction and the building was in shade so I headed off along the road back towards Glasson.
I’d walked for quite a distance when I saw something obviously very dead lying in the middle of the road. At first I thought it was a baby squirrel but on closer inspection it turned out to be a weasel, and going off its small size it was still quite a young one. Externally there wasn’t a mark on it so not wanting it to get squashed by the next car which came along I picked it up to leave it somewhere out of the way, but never having seen a weasel before other than in books or on the tv I took a quick photo before dropping it into the long grass over the other side of the roadside crash barrier, where hopefully it would be out of the way of anything which might see it and peck it to bits.
Continuing along the road I passed a static caravan park, a couple of houses and a group of farm buildings then turned left for a short distance to a slope which took me off the road and down onto the canal towpath. A short way along was Christ Church, designed by Lancaster architect Edmund Sharpe and built in 1839-40. The churchyard, which contains the war graves of two soldiers from WWl and one from WWll, was extended in 1905 when land was granted on provision that a burial plot was available in perpetuity for members of the Dalton family who owned most of the land in the area, though only two male members of the family have ever been buried there, with the female members laid to rest at Lancaster Cemetery.
Walking along the side of the marina I couldn’t miss the brightly painted canal boat moored at one of the pontoons. With my liking for multi-coloured abstract street art it was just my ‘thing’ and I couldn’t help wondering if the owners were also street art fans or if they had painted the boat like that just to be different. Back across the swing bridge I called in at the shop to get some cake for a treat later on then made my way back to the lay-by and my ‘pitch’ for the night, finding when I got there that anyone else previously parked there had gone and I now had the place to myself.
After a simple meal, a brew and a couple of slices of cake I whiled away the time with a few chapters of my book then with the late evening light fading I took Snowy and Poppie for their last walk of the day. Down at the marina various lights had come on in different places and with the stiff breeze of earlier on having dropped the now calm water produced some nice reflections.
Being completely alone in the lay-by overnight didn’t worry me, in fact I rather enjoyed the solitary peace and quiet, and as I settled down to sleep I had my fingers metaphorically crossed that I would wake the following morning to some more of the lovely weather I’d had that day.
During my recent August bank holiday search for new street art in the city centre I took the opportunity to visit Castlefield Viaduct, the very new and recently opened ‘garden in the sky’, a project developed by the National Trust and four local partner organisations to transform the Grade II listed disused railway viaduct into an urban green space.
The history of the Castlefield area and the viaduct dates back to 79 AD when Roman soldiers led by General Agricola chose the area as the site of a timber fort which they called Mamucium, later known as Mancunium. Protected by the Rivers Irwell and Medlock it was in a strategic position and well-located to guard important roads leading towards other larger forts. Over time the fort was repaired, enlarged, and eventually rebuilt in stone and a village was established nearby but once the Romans left around 410AD both the fort and the village declined and were eventually abandoned.
In 1086 a village called ‘Mamcester’ was recorded in the Domesday book as lying less than a mile north-east of the old fort. The village grew steadily, incorporating the site of the fort now known as Castlefield (Castle-in-the-field) and by the early 13th century it had become a town, though it wasn’t until the late 18th century that the area really became a significant part of an ever-expanding city.
The industrial heritage of Manchester began around 1758 when the Duke of Bridgewater commissioned James Brindley to construct one of Britain’s first canals, built to transport coal to the city from his mines at Worsley. The Bridgewater Canal proved to be a huge success, halving the price of coal and prompting a period of intensive canal-building across the country, and when the Rochdale Canal was completed in 1804 it joined the Bridgewater Canal at Castlefield, cutting through the site of the old Roman fort and making the area the hub of the city’s canal network.
By this time Manchester was the fastest growing city in the world thanks to the ever-increasing number of cotton mills creating jobs and bringing in trade and eventually it became clear that the canals alone couldn’t move goods fast enough. This led to the dawning of the railway age and in 1830 the Liverpool and Manchester railway opened, with the Castlefield area becoming the site of the world’s first inter-city passenger railway station, Manchester Liverpool Road, now part of today’s Science and Industry Museum.
Over the next several decades the area became recognised as the central hub for Manchester’s goods transportation network. Warehouses sprang up all over Castlefield to support the network and three railway viaducts were built over the canal basin, with the first one being opened in 1849. The second viaduct opened in 1877 and in the same year an elevated railway was constructed alongside it. In 1885 construction began on the Great Northern Warehouse, designed to be a three-way warehouse served by canal, road and rail, and in 1891 construction started on a fourth viaduct which would carry the railway line above the canal basin to both the warehouse and the adjacent Central Station.
This fourth Castlefield viaduct is a steel latticed girder construction 370yds long and 38ft wide and is an early example of using carbon steel for the girders, replacing the usual cast and wrought iron. Designed by engineer William George Scott it was manufactured and constructed by Heenan and Froude, the engineers behind the construction of the iconic Blackpool Tower, with M W Walmsley & Co. being the masonry contractors.
Supported on fifteen cast iron columns each 10ft 6ins in diameter the viaduct stands approximately 55ft above the canal basin, while the columns themselves are embedded in Portland cement, rest on solid rock some 20ft below ground, and are filled with masonry and cement. The total weight of steel and iron in the viaduct is over 7,000 tons and more than 6 million forged steel rivets were used in the construction. It was completed at a cost of £250,000 (about £20.5 million today) and in a small ceremony held on completion day a special copper rivet was fixed in the one remaining slot, though no-one these days knows exactly where it is.
For 77 years the viaduct carried heavy rail traffic in and out of the Castlefield area but along with Central Station, now a large convention centre, it closed in 1969 and has been disused ever since. It became Grade II listed on February 14th 1988 and over the years essential periodic repairs and maintenance to keep it safe have been undertaken by what is now Highways England.
Plans to convert the disused viaduct into an urban ‘sky park’ inspired by New York’s High Line were first proposed in 2012 but unfortunately fell through, however in 2021 a planning application by the National Trust received approval from Manchester City Council to transform around half the viaduct’s length into a temporary ‘garden in the sky’. Funded by private donations and support from local businesses and the People’s Postcode Lottery work began in March 2022 and the viaduct opened to the public in late July as a year-long ‘test and learn’ pilot scheme where visitors and locals can share their feedback and ideas for the structure’s long-term future.
After the very pleasant Welcome Area at the start of the viaduct a wide central path leads through an experimental planting area where hessian sand bags filled with peat-free compost are being used to encourage plant growth through the viaduct’s ballast. Following on from there is the main part of the garden with long specially designed and constructed planters separating four small partner plots set back off the path. Several of the plant species used, such as cotton grass, have connections to the local area and herbaceous perennials provide pretty splashes of colour among the densely planted ferns and grasses.
At the end of the garden is the events space, a light and airy building where visitors can leave their feedback and any ideas for the future of the viaduct. In the far wall a glass door and large windows look out onto the ‘naked viaduct’, the undeveloped section left untouched to provide a sense of how nature has reclaimed the space since the site was closed in 1969.
Visiting the viaduct is currently only by guided tour and though it’s completely free visitor numbers are limited to 100 per day with tickets having to be booked online – it was only the day after it opened that I’d tried to book but disappointingly I found it was ‘sold out’ right through August and with no dates showing in September. I’d almost put it out of my mind but during my recent search for street art in the city I decided to go to the viaduct on the chance that I might be allowed in and I was lucky – there was just one place left on the next guided tour. Not having known what to expect I was more than pleasantly surprised by what I saw and I really enjoyed my visit so (hopefully) if I can ever manage to book a ticket I’ll certainly go back another time.
A couple of visits to Manchester during the last few weeks didn’t produce as many new artworks as I expected so for this post I’ve combined the photos I took in July with those taken on the August bank holiday weekend. Following my usual route from Victoria station on both occasions my first two ‘finds’ were on the gable end walls used for advertising in Salmon Street; I really liked the bright colours of the first one although the bottom part was hidden by a fence, while round the corner a bunch of quirky animals were advertising Chester Zoo
The centre of Stevenson Square had undergone one of its regular makeovers, this time by the current artist in residence at Fred Aldous art and craft shop, though it still irks me slightly that the old toilet block is always surrounded by metal barriers and I can never get a clear and unobstructed photo of whatever is on the walls at the time.
Deserting the NQ on one occasion I meandered down to Castlefield – more of that in a later post – and found some more quirky artworks en route. A shutter with its decoration left over from the Jubilee weekend, colourful steps leading to a residential area, and outside a pub a board with the face of a rather sad looking dog which I just couldn’t resist.
Although on each of my two most recent visits to the city I didn’t find as many new artworks as I thought I would I was happy with those I did find, though by the time I’d walked a zig-zag route from the NQ all the way to Castlefield and back to Victoria Station I was certainly ready to relax for a while once I got home.