Category: General
Manchester Flower Festival 2023 – 1
The recent bank holiday weekend has seen this year’s Manchester Flower Festival taking place over four days with many colourful displays and installations situated in different locations around the city centre, and armed with a list I spent several hours trekking round to find them.
First on the list was the giant inflatable sculpture Turing’s Sunflowers in the Arndale shopping centre, paying tribute to the brilliant mathematician and codebreaker Alan Turing who believed that the spiral shapes on sunflower heads followed the Fibonacci sequence, a mathematical concept which appears frequently in nature.
Round in New Cathedral Street several displays ran the length of the pedestrianised area and in the open-sided floral marquee I found Baby Bloom, a pretty take on the world’s first electronic stored-programme computer, the Small Scale Experimental Machine (SSEM) otherwise known as The Baby, invented in Manchester and running its first programme in June 1948. Another display I liked was Best Day Ever, a table set for a romantic occasion with colourful blooms including roses, hydrangeas and peonies.
Towards the end of the row was the Grey Goose ‘Vive Le Spritz’ terrace with the world’s smallest spritz bar serving summer spritz cocktails, and on the nearby steps a large Vimto can planted with flowers and fresh berries celebrated Manchester’s iconic fruit cordial, while round the corner twinned mannequins looked out from one of the windows of M & S.

Across the road and in the Royal Exchange arcade was something which made me smile – a lovely display of late spring flowers celebrating Hilda Ogden, the iconic and much-loved Coronation Street character, complete with hair curlers, mop, bucket and rubber gloves. Close to the St. Ann’s Square entrance was Suffragette City, inspired by Emmeline Pankhurst and the women’s suffrage movement which started in Manchester. The figures were made of twisted willow and the horse and rider from last year’s festival had been repurposed to represent the most infamous protest of the movement where Emily Wilding Davison threw herself in front of the King’s horse at the Epsom Derby in June 1913.
Past the play zone and sensory garden was the Cotton Bud Fountain representing the county flower of Manchester, turned green with moss and surrounded by wild flowers, followed by The Hive, a unique construction of coloured ‘glass’ panels surrounded on three sides by plants and flowers, with the fourth side being partially open for visitors to walk in. It was the highlight of the festival for me though the photos really don’t do it justice.
Round in St. Ann’s Place were the wheelbarrow gardens with the first one displaying red and blue plants celebrating the city’s two football teams, while a pair of wheelbarrows were planted with bee-friendly flowers and plants to encourage and increase pollination, helping to bring bees back to the city. Sitting under a Canal Street sign was Queer As Flowers, a tribute to Manchester-based tv writer Russell T Davies and his ground-breaking 1999 drama Queer As Folk which was set in the city’s Gay Village. A bold wheelbarrow filled with an array of bright colours representing the Manchester Pride flag, it included an abundance of pansies as a tongue-in-cheek response to the use of the word as an insult to certain members of the LGBTQ community.
On the next corner was Mamucium, a display bringing the past and present together with the modern high rise towers of Deansgate Square contrasting with the old mosaics of the city’s Town Hall, surrounded by plants representing those first brought to the UK by the Romans including rosemary, thyme and roses.
Although not included in the official Festival list the Belvedere contemporary office block, tucked away down a side street, had a lovely cottage garden display outside the entrance. With a wishing well, miniature watering cans, butterflies and lots of colourful blooms it was worth the extra steps to find it and photograph it.
I got so many photos during the hours I spent in the city that it would be impossible to put them all in one post so I’ve split them into two lots and the next post will feature some of the fringe displays plus those in King Street, with lots more colour to come.
Spring Fair at Bleakholt
The Sunday before last saw the first of this year’s ‘open days’ at the animal sanctuary and though I never need an excuse to go up there anyway I did have several items to donate. After dropping them off at reception I went for a browse round the stalls in the barn before taking my usual wander round to visit all the various animals.
The smallest pony at Bleakholt is Tweedle who arrived at the sanctuary in 2010 along with his friends Deedee and Jeffrey. He has a teddy bear called ‘Ralph’ for company and standing at only 7 hands he’s so tiny you have to look right over his stable door to see him.

A long term resident in the cat section is 6-year old Lola who arrived at Bleakholt in April 2019, given up by her owners due to her unpredictable behaviour and dislike of men. She was eventually rehomed but returned to the sanctuary for the same reason and now lives a life of luxury with a large heated pen and hideaway cabin all to herself. She was quite happy to let me stroke her nose with my finger and I spent several minutes with her; as a permanent resident she is one of several animals on the sponsorship scheme so once I’d finished looking round I went back to reception and arranged to sponsor her for the next twelve months – which of course I’ll renew in April next year.

It was raining when I came out of reception but the event was winding down anyway so as I’d been round everywhere twice I set off back home. Over £6,300 was raised that day, an amount they will be hoping to beat at the summer fair in July, so here’s hoping for some fantastic weather when the time comes – and my first port of call next time will be a visit to Lola.
Lion dance and lettuces
One of my visits to Manchester at the beginning of the month coincided with the opening of a new Vietnamese bar/restaurant in the Northern Quarter, with the actual opening being preceded by a colourful lion dance. I’d found out about this a couple of days beforehand so as I would be round that way anyway I decided to see what it was all about.
The dance was supposed to start at 2pm and at first I thought I’d got my information wrong as there was no-one around and nothing happening, however it wasn’t long before the dancers appeared from a large van parked at the end of the street. After posing for a couple of photos outside the restaurant they got ready for the dance and I was quite bemused when a couple of lettuces suddenly appeared on the ground just a few feet from where I was standing.

The costumes for the Vietnamese lion dance resemble those for the Chinese Southern Lion dance and are part of the Chinese Southern Lion dance tradition though they have acquired local characteristics with differences in appearance. Most modern Southern Lion dance costumes are made to be very durable, with some being waterproof, and they come with a set of matching pants. They can only be custom made in speciality craft shops in rural parts of Asia and have to be imported at considerable expense for most foreign countries outside Asia.
The lion dance is performed primarily at traditional festivals as well as during other occasions such as birthdays, weddings and as on this occasion, the opening of a new business, with ‘music’ being provided by a constant drum beat, cymbals and gongs. Although there weren’t too many people around when the dance started it soon attracted quite a crowd and it was sometimes difficult to get photos without someone or something being in the way.
After a while the lions took themselves off into the restaurant where they did a circuit round the premises before coming back out onto the street and lying down in the road, then as they stood up I was suddenly hit by several bits of lettuce as were a few other people standing near me. This happened a second time before the lions danced their way round to a bench in front of the restaurant where they reared up and to much applause unrolled banners before the dance ended, then the ribbon across the doorway was cut and the restaurant declared well and truly open.
Although the dance had been quite interesting to watch the significance of the lettuces intrigued me so I went to ask one of the group before they disappeared. Apparently the pieces of lettuce, or greens, are part of a traditional custom and are believed to bring good luck, with the remainder of the lettuces being presented to the business owner to bring him and the business good fortune. I’d been hit by more than one piece during the dance so it remains to be seen just how much good luck – if any – actually comes my way.
The mystery of Mary Ellen
One of the most interesting exhibits in the Manchester Police Museum’s Crime Room has quite an intriguing story attached to it – it goes back 40 years and asks more questions than it answers but as yet has no real ending. It’s the story of Mary Ellen and not only is it local to me but it features a house not far from where I worked at the time.
Back in mid December 1982 John Baxendale, who had recently come to live in a Victorian detached house not far from Bolton town centre, decided to have a clear out in the cellar to make a den for his two boisterous German Shepherd dogs. With no functioning electric light down there at the time he was working by candlelight and behind some furniture in a small dark alcove at the back of the cellar he came across what he first thought was a tailor’s dummy wrapped in cardboard and newspaper. Then he realised a tailor’s dummy doesn’t have bones – it was the partially mummified remains of a human body. He contacted the local police station, which was only a couple of streets away, and a major investigation was launched that day, an investigation which has never truly ended.

The remains which were found were mainly bones but with the hands and arms in a mummified condition, and the clothing pointed to the body being female. It was wrapped as if this person had lain down and rolled over in cardboard and paper in an effort to keep warm so it was thought that maybe this had been someone homeless who had crept into the cellar from the outside, gone to sleep and never woke up. A later forensic examination concluded that the woman had been white, about 40 years old and of small stature, possibly only about 4ft 10ins tall, and there was no indication of foul play. A News of the World paper found around the body was dated March 13th 1966, leading police to surmise that she could have lain undiscovered in that cellar for up to 16 years.
Fingerprints were taken from her mummified fingers and descriptions of her clothing – pink underwear, a turquoise jumper, yellow cardigan and brown stretch stirrup trousers – were shared with the media, along with descriptions of her jewellery. She was found wearing one gold cross earring, a gold and diamond eternity ring on her left hand, and black rosary beads – police traced the ring to Birmingham but a jeweller there could offer no help as the jewellery had been mass produced and could have been purchased anywhere.
Two months later the Bolton CID team still had no leads so in a ground-breaking move for that time they turned to the pioneering new technique of facial reconstruction, asking forensic artist Richard Neave, who worked at Manchester University, to create a possible facial likeness using scientific measurements of the skull. It took a week to construct using modelling clay with a wig, eyebrows and eyelashes being glued on by a make-up artist from Granada TV and although it couldn’t be the woman’s exact face it was a face which would have been broadly similar. To give her some form of identity detectives named her Mary Ellen and the facial reconstruction was unveiled at a press conference in February 1983, gaining national attention as it was the first time the technique had ever been used in a public appeal by a British police force.

Following a tv news report detectives were contacted by Lily Jones who lived in Liverpool and thought Mary Ellen could be her mother, Ruth Hanratty, who had been missing since the early 1960s. Lily had been ten years old at the time her mother went missing and now only had a few old photos to go off but the facial likeness and description of Mary Ellen’s clothing were enough for her to contact the police, however DNA profiling wasn’t around at that time and Ruth Hanratty’s name didn’t show up on any missing persons list so there was no concrete proof that Mary Ellen was Lily’s mother.
With no way of knowing how Mary Ellen had died the coroner at the inquest recorded an open verdict and she was laid to rest in an unmarked common grave in a corner of a local cemetery, however the advancement of DNA profiling over the following years was enough for detectives to reopen the case in late 2009 in a bid to find out if Mary Ellen was Ruth Hanratty. Of course it wasn’t a matter of simply digging up a body – Mary Ellen had been buried in consecrated ground so strict procedures had to be followed which all took time. With DNA samples taken from Lily Jones and members of her family permission for an exhumation had to be sought from the Chancellor of the Diocese of the Church of England, forms had to be filled in and a specialist exhumation company had to be brought in to oversee the proceedings.
To avoid any unwanted attention from members of the public the exhumation, costing £10,000, was carried out at 4am one day in December, attended by Detective Rick Armstrong who had worked on the case from the start, a forensic anthropologist, a forensic pathologist, the police chaplain, a Church of England chaplain, the local authority grave diggers and members of the specialist exhumation company. The grave held six bodies and Mary Ellen had been the second one to be buried there so four others had to be taken out first – they all had identifying tags but Mary Ellen was just ”body of unknown female”. She was taken to Oldham mortuary where DNA was taken from a leg bone and some of the ribs then she was re-interred in the presence of the Church of England chaplain.
It was a few weeks before Detective Armstrong got the DNA results but sadly they weren’t what he was hoping for – with not enough points of match it was proved that Mary Ellen wasn’t Lily Jones’ mother Ruth. And from that day to this no-one has ever come forward to identify Mary Ellen. So who was she and what really happened to her?
Although detectives always held the opinion that she had been homeless and had sought shelter in that cellar Bolton Evening News crime reporter Steve Howarth, who covered the story from the beginning, held a different theory. Had she been homeless she would probably have had a coat and carried a few possessions in a bag, maybe even had a sleeping bag or blanket, but she had nothing only the clothes she wore. She also had the gold and diamond eternity ring which, although maybe not worth a great deal, she would surely have pawned if she was down on her luck and needed money.
The external access to the cellar was just a small door through which a coalman would have tipped the coal so it would have been difficult for someone to get in there without going through the house, which led to the theory that either she lived there at some time or knew someone who did and had been invited there. The house, like many large properties in that area, had once been bedsits often lived in by students who didn’t stay very long before moving on – 1966 to 1970 was the height of the hippie culture and recreational drugs were popular so maybe Mary Ellen had gone to a party there and possibly died of an accidental drug overdose. She could have been a sex worker visiting a client or maybe she wasn’t local and had come to Bolton from another part of the country. The rosary beads suggested she was of Catholic faith so possibly she was Irish and had no family over here.
Although it’s all pure speculation it was Steve Howarth’s firm opinion that she had somehow come to an unfortunate end in that house and someone had wrapped her up and dumped her in a corner of the cellar hoping that nobody would find her, and for 16 years no-one did, although Greater Manchester Police didn’t share the same view. The cold case review unit was confident in the original theory that Mary Ellen had been homeless and there was absolutely no evidence that she was the victim of crime or that anyone else had been involved in her death.
Mary Ellen’s facial reconstruction is on display in the Crime Room at the Police Museum although not knowing the name detectives gave her at the time she was created the museum staff have always referred to her as Jane. Having been chipped around the nose and eyebrows over the years she is sadly looking a bit worse for wear, but then she is 40 years old after all.
The Crime Room information for Mary Ellen concentrates mainly on the facial reconstruction and how it came about so I’ve written her story using information from news archives and recent BBC podcasts featuring interviews with Detective Rick Armstrong and crime reporter Steve Howarth, both now retired. It would be nice to think that even after all this time someone would identify her and provide her real name but had she still been alive today she would now be around 90 years old so probably anyone who could have identified her may also no longer be alive. Sadly the mystery may never be solved and she will always remain Mary Ellen, the body in the cellar.